If we had to represent our studio, our work, we would certainly do it with a shadow. The shadow is, if we can say so, our element, perfectly describing the being of a thing without giving it any physical characteristics, but leaving the imagination totally free, a way to travel safe in being as it exists but free in as without superstructures.

“Dream Architectures” are a series of roundels in white earth on which stands a silhouette of what appears, the sky line of an architecture in resin, a human, non-natural material, only later will the observer's eye notice that that drawing is the shadow of a small stoneware para-architectural structure which is at its base. These works tend to push for the conservation of the beauty around us since without the knowledge and storage of real images in our brain we could never "build" the scenographic system in which our dreams move.